Has hell frozen over? So some may wonder after seeing the news that Disney, aka Walk Entertainment Central, has removed a “transgender” storyline from a new animated series.
Transference advocates (the “LGBTQ+'' lobby) are also howling because they're used to Disney doing their bidding. However, this movement is still just a small step. The MUSS (Make-up Sex Status, also known as “transgender”) character will continue to appear in Pixar's Win or Lose show. However, the dialogue related to that psychological delusion was removed by the creator.
As BallerAlert reports:
Disney has removed a transgender storyline from the Pixar series “Win Or Lose,” which is set to debut on Disney+ in February. This eight-episode animated show follows a middle school co-ed softball team as they prepare for a big game.
“When it comes to animated content for younger audiences, we recognize that many parents prefer to discuss specific topics with their children based on their convenience and schedule,” a Disney spokesperson said.
The series will continue to feature transgender characters, but the characters' gender identity will not be addressed. Disney added that the change will only affect “just a few lines of dialogue” towards the end of the season.
This newfound respect for parents' concerns is a sharp contrast to Disney's protests against Florida's child custody bill just two years ago. The company took issue with the bill's purpose of protecting young schoolchildren from propaganda of sexual degeneration. (Although Disney had no problem pandering to genocidal China at the same time.)
Disney has also decided to take the stand on this issue, appealing to Florida Governor Ron DeSantis for his values. result? The company lost its wings. Lawmakers in the Sunshine State stripped Disney of its special autonomy status in 2022.
Child Mind Molesters Against Baby Steps
With this loss of status, coupled with this year's election results and the recognition of a shift in anti-woke culture, Disney is clearly starting to see (a little) light. But even this is too much for sexual despots. In fact, some people have circulated petitions protesting Disney's move with Pixar. According to Breitbart:
The petition tells Disney executives that the studio is “trying to suppress gay voices for financial gain from hateful bigoted conservatives who are afraid of being marginalized for stupid reasons.” and called for it to “reverse its despicable and spineless decision.”
Disney “spits in the face of the value of LGBTQ+ representation in family media,” the petition states.
Of course, some may wonder whether pandering to sexual despots was cowardly in the first place.
There's no time for a victory lap
Now, conservatives often celebrate victories such as Pixar's transformation and then focus on dinner table issues like normal people. But Disney's decision is just another fight to regain one percent of the territory lost to sexual despots. Again, note that MUSS characters will still appear in the Win or Lose series. It's just that the writers don't express his agenda through dialogue so far.
But we can't MAGA unless we MAMA. “Make America Moral Again.” As far as the MUSS agenda is concerned, this requires adhering to a certain proposition: that “transgender” people do not exist.
Oh, people with gender identity disorder (aka “gender dysphoria”) do exist. There are men who have autogynephilia, that is, who get sexual arousal from dressing as women or doing things like women.
But “transgender” people aren't like that. That's because humans don't have a “gender” (that's the word), but they do have a quality known as “sex.” And no amount of medicine or surgery can change a person's gender. It is an immutable characteristic.
This is why people with MUSS need to get help and counseling rather than appearing in movies or TV shows. And as soon as we shrink back and compromise from this principled position, we become part of the problem.
Disney is still evil
The truth is, Disney still has a long way to go to escape its sexual degeneracy. This is because our culture is still in the process of development. Because, like politics, corporate policy is downstream from culture. Regarding Disney's trespass, The Hollywood Reporter reported after covering Pixar's story:
This isn't the first time the company has come under scrutiny for its LGBTQ+ storylines, particularly animated content.
In 2022, controversy erupts inside and outside of Disney following former CEO Bob Chapek's highly criticized response to Florida's “Don't Say Gay” (note: this is a propaganda term) bill. Ta. In June of the same year, Pixar's “Lightyear'' also included homosexuality and kissing scenes, which also caused controversy. A few months later, Disney's animated film Strange World, which features an openly gay protagonist, was released. Both films performed poorly at the domestic and international box office, earning only $226.4 million and $73.6 million worldwide, respectively. LGBTQ+ content faces challenges in certain international markets where countries may impose stricter age restrictions or ban content entirely.
And Carrie Burke, hired by Disney, calls herself the mother of “one transgender child and one pansexual child.” In the video below, you can hear her lament that there aren't enough “queer leading men” in Disney productions yet.
Disney also employs discriminatory employment practices justified as “inclusion standards.” In fact, the company had set precise quotas for what it called the “underrepresented” group (related tweet below).
Yes, we still have a long way to go. When we think about this, we must also remember that eternal vigilance is the price of morality, that is, a precondition of freedom. And how do we know when we've really turned a corner?
We will be able to “say gay” again, it just means happy.
